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- Short
history of the anti-globalisation protests
- Martin Jaeggi on Temporary Discomfort I - III
- Temporary Discomfort IV
- Temporrary Discomfort V
About the Disconituous Panoramas of Part IV of Temporary Discomfort
, 2003
Part 1 Pulver gut (Good powder snow)
Whereas TD I - III utilises a range of different traditional photographic
cameras, TD IV makes use of a new technology that was originally
intended not for creative photographic purposes but for surveillance
and control functions: Three interactive network cameras were mounted
near or within the security area of the annual World Economic Forum
in Davos, Switzerland, 23-28 January 2003. The cameras overlooked
the Congress Center and the surrounding Kurpark and Congress Hotel,
creating a triangle of private surveillance around the
summit.
One of the network cameras, Position A, was specially programmed
to generate a wall-to-wall live panorama in Zurich over the entire
period of the summit. Visitors could watch the panorama as it grew
little by little every day. (this progammation was develpped in
collaboration with an engineer specially for my purposes). From
23-28 January, the camera recorded single images onto a server every
morning from 6am to 9am (3-4 rows with 62 images each). The images
were then simultaneously downloaded in Zurich, each printed out
on A3 paper and put onto a wall in the Kunstraum Walcheturm. The
resulting final panorama was composed of 1446 single shots covering
an angle of 170 degrees horizontally and 40 degrees vertically.
The x-axis of the panorama covered a period of two hours while the
y-axis extends over six days, the duration of the Forum.* It had
the dimensions 20 x 4.6m. The panorama in geneva is a 7m to 2.6
metres is dimension and is a derivative of the one mentionend above.
(see exhibitions)
The panorama deals with the paradox of pretending to show everything
while in fact leaving out most of what was occurring over the period
the territory was under surveillance. In essence a panoramic view
suggests control and possession by the eye. But here in this context,
the camera is focused on the security operations of a world summit.
It puts the agents of surveillance under surveillance themselves
and places them within the totality of the urban scenery in a state
of emergency. Due to the scheduled anti-globalisation protests,
a further reference is made to historic battle panoramas in which
a single picture shows events that occurred over the duration of
a political/historical event. To mention two such examples: the
Bourbaki Panorama in Lucerne or the Murten Panorama in Switzerland.
Part 2 Hotspots 2003 DVD
In addition, the cameras were also programmed to record a shot every
ten minutes of some potentially interesting spots within the panoramas
or of the area around the Congress Center. This is the raw material
that will be processed and combined to create silent video sequences,
located somewhere between video and photography, an analogy to the
Hotspot serie in TD I and the Personnel sequences in TD III. |
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